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Core documents for Scandinavia:
Keyword public performance

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1498* Ottaviano Petrucci's Music Patent Commentary: [1]
1725-1726* Pierre-Jacques Blondel's memorandum Commentary: [1]
1749* Crébillon case Commentary: [1]
1762* Tonson v. Collins Commentary: [1]
1777* Linguet's memorandum Commentary: [1]
1780* Dramatic Act
1791* Le Chapelier's report Commentary: [1]
1815* Annotated Publishers' Petition to the Congress of Vienna Commentary: [1]
1826* Minutes of the 1825-1826 Commission
1832* Gans: On the right to perform published stage plays Commentary: [1]
1833* Dramatic Literary Property Act Commentary: [1]
1834* Balzac's letter to authors
1837* Prussian Copyright Act Commentary: [1]
1837* Directive for reciprocal copyright protection within the German Confederation Commentary: [1]
1841* Report of Lamartine and parliamentary debates on literary property
1842* Copyright Act Commentary: [1]
1844* International Copyright Act Commentary: [1]
1846* Bilateral Treaty between Prussia and Britain Commentary: [1]
1846* Austrian Copyright Act Commentary: [1]
1851* SACEM's act of constitution
1852* International Copyright Act Commentary: [1]
1853* Bluntschli: On Authors' Rights Commentary: [1]
1856* Copyright Act Amendment Commentary: [1]
1861* Confederate States of America Copyright Act
1870* Copyright Act for the German Empire Commentary: [1]
1870* Copinger's Law of Copyright Commentary: [1]
1870* Copyright Act
1884* Orelli: 'Swiss Copyright Act 1883 with comments and appendices' Commentary: [1]
1886* International Copyright Act Commentary: [1]
1897* Copyright Act (Public Performance of Musical Compositions)
1902* Court of Cassation on moral rights Commentary: [1]